![]() “You’ve got a big problem, buddy.”Īs Jones gets closer to the man in front of the camera-a reporter for CBS-the lower-third of the screen offers a helpful, if misleading, title for the journalist: “FBI AGENT.” Jones marches up to them and starts getting into it: “I’m sick and tired of hearing your lies, when you machine-gunned a bunch of men, women, and children,” he’s screaming. ![]() ![]() The camera pans over to another film crew. The shaky camera cuts to Jones making a beeline across the field, with more wreckage in the background. Jones, who was until recently a marginal and out-of-work radio host in Austin, was visiting the former site of the compound, just outside of Waco, Texas to shoot a documentary for his fledgling online media network.įrom behind black sunglasses, he nods to the industrial carnage: “They always destroy the evidence and don’t let locals in to document anything.
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